Category Archives: Music

How to tune a guitar

Guitars are a common instrument that people plays nowadays and it is something that can be used to spend time playing. Some people believe that playing a guitar can be considered “cool” and can help make new friends. Some learn the guitar simply just to impress girls and some take this as a hobby and use it a substitute for sports. It can be difficult to join a sport and you may end up with an injured knee so they take up the guitar as their friend. You can communicate with others through the music you play. If you want to have a great music, you need to make sure that your guitar is tuned perfectly.

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Here is how to tune a guitar

How to tune a guitar

Step 1: You have to know which is for each string on your instrument. They have six strings and that is why they have the name “six strings” an if you count them from the top to bottom you will get e, B, G, D, A and E. E is the heaviest string and e is the slimmest one. If you have a hard time distinguishing them look at their depth.

Step 2: Look for its associated tuning peg and pluck the string and twist the tuning peg to control the pitch. Do this in the clockwise direction. If you make it go the other way around go counterclockwise. You will have to twist the pegs in different directions if the instrument was not perfectly strung.

Step 3: You have to get the capital E string or low E or the sixth string to a tuner. You can utilize it as a reference for the other five strings. To make it proper, look for ways to match the note you hear on a guitar with Low-E. Search for a method to listen to E note using a properly tuned pitch fork or a tuning fork.

Step 4: Tune the A string to the 5th of the E string and use it to get the following string tuned. You have to put your fingertips on the fret of the heaviest string and then pull. It is the similar one which is A that you get from the string underneath. Getting both the strings at the precise time is a great way to check for dissention.

Step 5: to the fifth fret of the A string, tune the D string, it is the similar method like the one utilized above.

Play the 4th string, open D string and the fifth string should be tuned which is 5th fret note and another D.  The G string should be tuned to the fifth-fretted D string and the guitar should move down and tune the first three things. The following strings should have considered in a different manner. The B is the one standing out.

Step 6: The B string should be tuned to the fourth fretted G string and the B string is little variable. It is the only thing that is not like the other ones.

How to Write a Song

You might want to write a song but you are facing trouble. You do not understand how to write the lyrics. Many people have faced trouble writing songs as it requires some knowledge and skills. You also need to have the ability to be creative and can form new ideas.

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How to Write a Song

There are 2 ways to write a song

•    Write the lyrics and finding the music later on

•    Writing the lyrics by matching it with the music

How to Write a Song

The advantage of the first method is that you can write lyrics from anytime and anywhere. You always have your mobile phone with you so whenever you think of something you can write it down and complete it later on. The problem with this is that you can have a hard time to find music for this.

The advantage of the second method is you will have your music ready all you need is some lines to fit them. The disadvantages are that this is a very hard way and even experts cannot use this way. Plus, you need to listen to the music many times to understand what to write.


Here is how to write a song:

Step1: Think of a line. Sometimes thinking of a single line can get you a complete song. You need to think of what the song is going to be about, a sad song, happy song or a love song. No matter what the type is thinking of s single line can later help you write down the full lyrics. Focus on the theme of the song. From that one line, you have to try to make more lines.

Step2: If you are completely lost, you start writing a poem. Writing poems or rhymes can be easy for you. Make a melodious or tuneful poem which can later be converted into songs. Do not write a disturbing poem. If you do not have ideas about poems you can few of them before starting to write one. If you do not find anything to write on your poem you can always think of you are feeling and write those down.

Step3: You need to think of the melody or the tune and come up with the chorus. The chorus is the most important part of the song. You need to think of several choruses and then pick out one for your song. A great song always has an amazing chorus. Think of a chorus that is appealing.

Step4: After you wrote what was in your head use your phone to record the song. Do not worry how you sound because the app is not an official song recorder. You can ask others to hear your song. You can sing for them in person and ask about what improvements you can make.

Step5: Take your time and try something new. Do not think of writing a song in just one day. Take few days or even weeks. Do not copy anything from another song or have meaningless lyrics. Make sure your lyrics make sense and do not just write useless lines for the sake of rhyming. You can take help from someone who wrote lyrics before.

How many keys on a piano

How many keys on a piano? There are 88 keys on a piano; There are 36 black keys; There are 52 white keys.

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In 1709, a Florentine harpsichord developer named Bartolomeo Cristofori concocted the pianoforte, an instrument that bested the harpsichord by its capacity to play delicate (piano) or noisy (strength) contingent on the power connected on the keys by the player. Brady takes note of that the main pianos looked all that much like the harpsichord however were fitted with a clever escapement instrument which permitted the tones to be created by minor mallets hitting the strings [the component appended the sledges to the keys], instead of by plumes culling the strings just like the case in the harpsichord.

How many keys on a piano

Others soon made pianos, yet there was little consistency in the quantity of keys or even in the measure of the piano itself. Michael Moore, of Steinway and Sons, hypothesizes that it was a mix of creative expression and free enterprise that offered ascend to the 88-key piano. Extraordinary arrangers, for example, Mozart were requesting instruments fit for communicating the scope of the music they were making. Different arrangers piggybacked on the extended territory gave by the greater, “present day” pianos. Piano creators knew they would have an upper hand that they could produce greater and better instruments for yearning authors, and awesome changes were in store somewhere around 1790 and 1890, as Stephen Brady clarifies: By the end of the eighteenth century, at the end of Mozart’s vocation and close to the start of Beethoven’s, piano consoles had achieved six full octaves, and a console compass of six and a half octaves was not extraordinary in mid nineteenth-century grand. For a significant part of the center to late nineteenth century, seven full octaves (from most reduced A to most elevated A) was the standard. A couple of manufacturers in the mid-nineteenth century tried different things with the seven-and-a-quarter-octave console, which is in like manner utilize today, yet it didn’t turn into the accepted standard until about the 1890s. Steinway’s fabulous pianos had 85 or fewer keys until the mid-1880s, yet Steinway then took the dive to the 88 we see today, and different makers raced to meet the determinations of their opponent. In any case, why stop at 88? Why not a pleasant, cycle 100? Michael Moore clarifies: Expansion into still more prominent quantities of keys was controlled by useful contemplations. There is a breaking point to the quantity of tones that a string can be made to replicate, particularly on the bass end, where low notes can shake, and a cutoff to the tones that the ear can listen, particularly on the treble end. There is a sort of piano, a Boesendorfer Concert Grand, which has 94 unique keys, [and an entire eight-octave range, with every one of the six of the additional keys added to the bass end], however all things considered our 88 keys speak to the degree to which pianos can be made to reliably repeat conditions that our ears can listen.

Regardless of the fact that more keys would pick up the scarcest point of preference in tones, there is likewise the thought of size and weight. The Boesendorf is right around ten feet long, surpassed just by the ten-feet, two-inch Fazioli Concert Grand. Just a modest bunch of syntheses ever request that utilization these additional keys, insufficient motivation to propel Boesendorfer to add the keys in any case. By, “The Boesendorfer organization says the additional strings are truly there to add thoughtful reverberation and lavishness to the standard notes of the piano’s reach.”